The Bruckner Journal is a publication for all enthusiasts and devotees of Anton Bruckner and his music. It aims to be of interest to musicians, scholars, amateurs and lay enthusiasts, in fact to all lovers of the extraordinary music of Anton Bruckner, whatever their level of knowledge and expertise.

It is printed in English in the UK, but contributions are received and welcomed from all over the world. It contains articles on a variety of Bruckner-related subjects, concert reviews, CD reviews, book reviews, selected concert listings, news of events of interest to Brucknerians and much else. For a summary of contents of the current issue go to:

Current Issue

It is published three times a year, in March, July and November - since 1997 - and is available by subscription only.

2009 Subscriptions

for 3 issues a calendar year are:

 

UK - £10

EUROPE - 15 Euros or £10

REST OF THE WORLD -  US$25 or £12

Payments can be made by PayPal to brucknerjournal@googlemail.com

click this link for further subscription info

 

 

Bruckner Journal Readers’ Conference

is held every two years.

The 2009 Conference was on 17/18th April at Hertford College, Oxford, UK.  

Speakers were Nicholas Attfield, William Carragan, Paul Hawkshaw,

Andrea Harrandt, Julian Horton, Howard Jones, Ebbe Tørring, Peter Palmer,

Ken Ward.  A round-table discussion was chaired by Dermot Gault.

To conclude, there was a performance of the Bruckner’s 8th Symphony

in a transcription for piano 4-hands by Josef Schalk.  

The performers were Prof. William Carragan, and Dr. Crawford Howie.

 

The Austrian composer, Anton Bruckner (1824-1896), composed some of the most inspiring, the most ennobling, the most profound music in the ‘classical music’ repertoire.  His symphonies are large-scale, filled with dramatic and intense emotion, beautiful, humane and deeply mysterious; his sacred choral music ranks amongst the most deeply moving ever written.