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A LIST OF PUBLISHED

BRUCKNER SCORES

PART 3

CANTATAS & LARGE-SCALE CHORAL WORKS

Bruckner scores:

Cantatas and large-scale choral works,

Magnificat and Psalm settings

 

 

Entsagen WAB 14: for soprano or tenor soloist, four-part mixed voice choir and organ (piano).  

Composed St. Florian, c.1851..

 

G-A II/2, 1928, pp. 47-58 (facsimile of autograph).

Doblinger (D.9126), Vienna, 1956.  Edited and with foreword by Ludwig Daxsperger.

ABSW XXII/1-5, Vienna, 1987, pp. 51-6.  Edited Franz Burkhart, Rudolf H. Führer and Leopold Nowak.

      Full score and study score formats.

 

Fest-Cantate, ‘Preiset den Herrn’ WAB 16: for bass soloist, male voice solo quartet, four-part male voice choir, wind orchestra and timpani.  Completed Linz, 25 April 1862.

 

G-A III/2, pp. 197-216 (facsimile of autograph).

Doblinger (D.8869), Vienna, 1955.  Piano score, edited and with foreword by Karl Etti.

ABSW XXII/6-8, Vienna, 1987, pp. 149-77.  Full score;

     also available separately (XXII/6)in study score format.

 

Festgesang ‘Sankt Jodok sproß aus edlem Stamme’ WAB 15: for soprano, tenor and bass soloists, four-part mixed voice choir and piano.  Composed St. Florian, December

1855 for Jodok Stülz, dean of St. Florian abbey

 

G-A II/2, pp. 241-54.  Facsimile of autograph.

ABSW XXII/1-5, 1987, pp. 129-45.  Full score and study score formats.

 

 

Germanenzug WAB 70: for male voice quartet, four-part male voice choir and brass.  Composed Linz, 1863.

 

Ried, Josef Kränzl, 1865.

Adolf Robitschek (A.R.1657), Vienna.  Edited Eduard Kremser

ABSW XXII/6-8, 1987, pp. 181-212.  Also available separately (XXII/7) in study score format.

ABSW zu XXII/7, Vienna, 1993.  Piano score, edited Rudolf H. Führer.

 

Helgoland WAB 71: for four-part male voice choir and orchestra.  Composed Vienna, 1893.

 

Doblinger (D.1885), Vienna, 1893.  Piano score, arr. Cyrill Hynais.

Doblinger (D.2334), Vienna, 1899.  Full score.

Universal Edition, Vienna, 1924.  Piano score, arr. Cyrill Hynais.

Universal Edition, Vienna, 1926.  Full score.

ABSW XXII/6-8,1987, pp. 215-76.  Also available separately (XXII/8) in study score format.

 

Kantate WAB 61: for six-part mixed voice choir, three horns, two trumpets and bass trombone.  

First version, ‘Heil, Vater! Dir zum hohen Feste’, composed St. Florian,

September 1852 for Prelate Michael Arneth’s name-day.

 

ABSW XXII/1-5, 1987, pp. 59-75.  Full score and study score formats.

 

Second version, ‘Auf, Brüder! auf zur frohen Feier’, revision of first version

(with different text) for Prelate Friedrich Mayr’s name-day in July 1857.

 

G-A II/2, 1928, pp. 131-40.

  ABSW XXII/1-5,1987, pp. 79-95.  Full score and study score formats

 

Kantate ‘Auf, Brüder, auf!  Und die Saiten zur Hand’ WAB 60: for male voice quartet, four-part mixed voice choir, four-    

                                part male voice choir and wind. Composed St. Florian, Jul. 1855 for Prelate Friedrich Mayr’s name-day.

 

G-A II/2, 1928, pp. 229-39.

ABSW XXII/1-5, 1987, pp. 99-126.  Full score and study score formats.

 

Mass (‘Missa solemnis’) in B flat minor       Composed 1854.

                               Original version (1854)

                               Filser Verlag, ed. Haas, 1930.  (GA XV)

                               Musikwissenschaftlicher Verlag, ed. Haas, 1932 (GA XV/2)

                               Musikwissenschaftlicher Verlag, ed. Nowak, 1975 (ABSW XV).

 

Mass in D minor     Composed 1864, revised 1876, 1881/82, first published 1892.

                               First published version (1892)

                               Johann Gross (S.A. Reiss) [On title-page: ‘Messe in D’.]      

                                Musikwissenschaftlicher Verlag, ed. Nowak, 1957 (ABSW XVI).

 

                              ‘Revised’ version

                       Philharmonia (264), pl. nr. W.Ph.V. 264, ed. Josef V. von Wöss, 1924

                        [On title-page: ‘Mass in D’.]

 

Mass in E minor       Composed 1866, revised 1876-85.

                               1866 original version

                               Musikwissenschaftlicher Verlag, ed. Nowak, 1977 (ABSW XVII/1).

 

                               1876-85 version

                               Brucknerverlag, ed. Haas and Nowak, 1940; re-issued 1949  (GA XIII)

                               Musikwissenschaftlicher Verlag, ed. Nowak, second revised edition, 1959

                               [On title-page: ‘Fassung von 1882’] (ABSW XVII/2).

                               Eulenburg (1606), ed. Nowak.

 

                              ‘Revised version’

                               Doblinger, pl. nr. D.2087 [1896].

                               Philharmonia (204), pl. nr. U.E. 7534; W.Ph.V. 204, revised Wöss, 1924.

 

Mass in F minor      Composed 1867-8, revised 1876/77, 1881, 1890-94.

                               First published version (1894)

                               Doblinger, pl. nr. D.1866.

 

                               1881 revision

                               Brucknerverlag, ed. Haas, 1944 (GA XIV) [On title-page ‘Originalfassung’].

                               Breitkopf (3624), ed. Haas, 1944.

                               Eulenburg (961), pl. nr. E.E. 6527, ed. Hans F. Redlich, 1967.

 

                              1881 revision, revised

                      Musikwissenschaftlicher Verlag, ed. Nowak, second revised edition, 1960 (ABSW  XVIII).

 

                             ‘Revised’  version, based on first published version of 1894

                             Eulenburg (11), pl. nr. U.E. 7049, rev. Wöss.

                             Eulenburg (961), ed. Wöss.

                             Eulenburg (961), pl. nr. E.E. 4436, ed. Wöss.  Foreword by Adolf Aber.

                             Universal (7049), pl. nr. U.E. 7049, ed. Wöss.

 

Musikalischer Versuch nach dem Kammer-Styl WAB 93

First version: for soloists, four- and eight-part mixed voice choir, and piano.  

Composed St. Florian, 1845.

 

ABSW XXII/1-5, 1987, pp. 3-15. Full score and study score formats.

 

Second version: for same forces as above.  Composed St. Florian, 1845.

 

ABSW XXII/1-5, 1987, pp. 19-32.  Full score and study score formats.

 

Third version,  Vergißmeinnicht: for same forces as above.  Composed St.

Florian, 1845.

 

G-A 1, 1922, pp. 283-300 (facsimile of autograph).

ABSW XXII/1-5, 1987, pp. 35-48.  Full score and study score formats.

 

Requiem in D minor       Composed 1848-9, revised 1892.

                               Original version (1848-9)

                               Filser Verlag, ed. Haas, 1930 (GA XV)

                               Musikwissenschaftlicher Verlag, ed. Haas, 1932 (G/A XV/1)

                               Musikwissenschaftlicher Verlag, ed. Nowak, 1966 (ABSW XIV)

                               Musikwissenschaftlicher Verlag, ed. Nowak & Bornhöft, 1998  [‘new edition’] (ABSW  XIV)

 

Te Deum      Composed 1881, revised 1883-4.

                               1883-4 revision

                               Musikwissenschaftlicher Verlag, ed. Nowak, 1962. [On title-page: ‘Fassung von 1884’].   (ABSW XIX).

 

                               ‘Revised’ version

                               Rättig, pl. nr. T,.R. 40b, 1885.

                               Rättig, pl. nr. T.R. 40b, revised T. Alan, 1904.

                               Universal (2989), pl. nr. T.R. 40b, revised T. Alan.

                               Eulenburg (10), pl. nr. E.E.4728, ed. Steinitzer, 1920.

                               Eulenburg (960), pl. nr. E.E.4278, ed. Aber, c.1930.

                               Eulenburg (960), pl. nr. E.E.4278, ed. Redlich, 1960.

                               Peters Edition (3488), pl. nr. S.9600.

                               Broude (USA).

 

 

 

Bruckner scores: Magnificat and Psalm settings

 

Magnificat WAB 24: for soloists, four-part mixed voice choir, orchestra and organ.  Composed St.

Florian, August 1852.

 

G-A II/2,1928, pp. 99-110 (short score)

ABSW XX/3, Vienna, 1996.  Full score and study score, ed. Paul Hawkshaw

ABSW zu XX/3, Vienna, 1996.  Piano score, arr. Karlhans Urbanek.

 

Psalm 22 WAB 34: for four-part mixed voice choir and piano.  Composed St. Florian, c.1852.

 

G-A II/2, 1928, pp. 119-30 (facsimile of autograph score).

ABSW XX/2, 1997.  Full score and study score, ed. Paul Hawkshaw.

 

Psalm 114 WAB 36: for five-part mixed voice choir and three trombones.  Composed St. Florian,

Spring or early Summer 1852.

 

G/A II/2, 1928, pp. 151-77 (facsimile of autograph score).

ABSW XX/1, 1997.  Full score and study score, ed. Paul Hawkshaw.

ABSW zu XX/1, 1997.  Piano score, arr. Paul Hawkshaw.

 

Psalm 146 WAB 37: for soloists, four-part mixed double choir and orchestra.  Composed St.

Florian or Linz, 1856-58 (?)

 

ABSW XX/4, 1996.  Full score and study score, ed. Paul Hawkshaw.

ABSW zu XX/4 ,1996.  Piano score, arr. Karlhans Urbanek.

 

Psalm 112 WAB 35: for eight-part mixed double choir and orchestra.  Composed Linz, June - 5

July 1863.

 

Universal Edition (U.E. 6685), Vienna, 1926.  Edited Josef V. Wöss.

ABSW XX/5, 1996.  Full score and study score, ed. Paul Hawkshaw.

ABSW zu XX/5, 1996.  Piano score, arr. Josef V. Wöss (U.E. 6688, 1926).

 

Psalm 150      Composed 1892.

Original version (1892)

     Musikwissenschaftlicher Verlag, edited Franz Grasberger, 1964 (ABSW XX/6).

 

‘Revised’  version

Doblinger, pl. nr. D.1804, 1892.

Philharmonia (205), pl. nr. W.Ph.V. 205; U.E. 7535, newly revised Wöss.

Universal (7535), pl .nr. U.E. 7535; W.Ph.V. 205. [J. Wöss].

Eulenburg (972), pl. nr. E.E. 4599, ed. Redlich, 1960.

© Crawford Howie - November 2004

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Bruckner Autograph Scores

are becoming available to view on-line at the Austrian National Library.

 

1. Enter this address:    http://www.onb.ac.at/sammlungen/musik/musik_bestandsrecherche.htm

 

2. Click on ÖNB-HANNA-Katalog  in blue print towards the bottom of the visible page

                                                      (this goes to: http://aleph.onb.ac.at/F?func=file&file_name=login&local_base=ONB06)

3. In the SCHNELL-SUCHE box type the WAB number you’re interested in. For example, for Symphony No. 4. type:  “WAB 104”  You now get a list of autograph items for Symphony No.4

4. Click on item 1 -   IV. Sinfonie in Es romant.  1878-1880    At the top of the list of details that comes up is:

 Digitales Objekt    Digitalisat

Only autographs that have this at the top of the list are at present available on-line, but you only seem to be able to find which ones are on-line by getting up the list of details for each one.

5. If you click on Digitalisat, the autograph score will come up on your screen.

Also available are:

WAB 102  Item 2                         Sinphonie [sic] (No 2 in C moll)    Mus.Hs.6034

WAB 103  Item 8 & Item 9           Wagner Sinfonie No 3 D moll 

WAB 104  Item 1 & 2 1878/80 and 1874

WAB 105  Item 3                           Sinfonie No 5 in B 

WAB 106  Item 5                          VI. Sinfonie 

WAB 107  Item 1, 2 & 5               Sinfonie No 7

WAB 108  Item 1                       8. Sinfonie                             Mus.Hs.19480 

WAB 109  Item 2 9. Sinfonie  Mus.Hs.19481