Large-scale choral works

A LIST OF PUBLISHED

BRUCKNER SCORES

PART 3

CANTATAS & LARGE-SCALE CHORAL WORKS

Bruckner scores:

Cantatas and large-scale choral works,

Magnificat and Psalm settings

Entsagen WAB 14: for soprano or tenor soloist, four-part mixed voice choir and organ (piano).

Composed St. Florian, c.1851..

G-A II/2, 1928, pp. 47-58 (facsimile of autograph).

Doblinger (D.9126), Vienna, 1956. Edited and with foreword by Ludwig Daxsperger.

ABSW XXII/1-5, Vienna, 1987, pp. 51-6. Edited Franz Burkhart, Rudolf H. Führer and Leopold Nowak.

Full score and study score formats.

Fest-Cantate, ‘Preiset den Herrn’ WAB 16: for bass soloist, male voice solo quartet, four-part male voice choir, wind orchestra and timpani. Completed Linz, 25 April 1862.

G-A III/2, pp. 197-216 (facsimile of autograph).

Doblinger (D.8869), Vienna, 1955. Piano score, edited and with foreword by Karl Etti.

ABSW XXII/6-8, Vienna, 1987, pp. 149-77. Full score;

also available separately (XXII/6)in study score format.

Festgesang ‘Sankt Jodok sproß aus edlem Stamme’ WAB 15: for soprano, tenor and bass soloists, four-part mixed voice choir and piano. Composed St. Florian, December

1855 for Jodok Stülz, dean of St. Florian abbey

G-A II/2, pp. 241-54. Facsimile of autograph.

ABSW XXII/1-5, 1987, pp. 129-45. Full score and study score formats.

Germanenzug WAB 70: for male voice quartet, four-part male voice choir and brass. Composed Linz, 1863.

Ried, Josef Kränzl, 1865.

Adolf Robitschek (A.R.1657), Vienna. Edited Eduard Kremser

ABSW XXII/6-8, 1987, pp. 181-212. Also available separately (XXII/7) in study score format.

ABSW zu XXII/7, Vienna, 1993. Piano score, edited Rudolf H. Führer.

Helgoland WAB 71: for four-part male voice choir and orchestra. Composed Vienna, 1893.

Doblinger (D.1885), Vienna, 1893. Piano score, arr. Cyrill Hynais.

Doblinger (D.2334), Vienna, 1899. Full score.

Universal Edition, Vienna, 1924. Piano score, arr. Cyrill Hynais.

Universal Edition, Vienna, 1926. Full score.

ABSW XXII/6-8,1987, pp. 215-76. Also available separately (XXII/8) in study score format.

Kantate WAB 61: for six-part mixed voice choir, three horns, two trumpets and bass trombone.

First version, ‘Heil, Vater! Dir zum hohen Feste’, composed St. Florian,

September 1852 for Prelate Michael Arneth’s name-day.

ABSW XXII/1-5, 1987, pp. 59-75. Full score and study score formats.

Second version, ‘Auf, Brüder! auf zur frohen Feier’, revision of first version

(with different text) for Prelate Friedrich Mayr’s name-day in July 1857.

G-A II/2, 1928, pp. 131-40.

ABSW XXII/1-5,1987, pp. 79-95. Full score and study score formats

Kantate ‘Auf, Brüder, auf! Und die Saiten zur Hand’ WAB 60: for male voice quartet, four-part mixed voice choir, four-

part male voice choir and wind. Composed St. Florian, Jul. 1855 for Prelate Friedrich Mayr’s name-day.

G-A II/2, 1928, pp. 229-39.

ABSW XXII/1-5, 1987, pp. 99-126. Full score and study score formats.

Mass (‘Missa solemnis’) in B flat minor Composed 1854.

Original version (1854)

Filser Verlag, ed. Haas, 1930. (GA XV)

Musikwissenschaftlicher Verlag, ed. Haas, 1932 (GA XV/2)

Musikwissenschaftlicher Verlag, ed. Nowak, 1975 (ABSW XV).

Mass in D minor Composed 1864, revised 1876, 1881/82, first published 1892.

First published version (1892)

Johann Gross (S.A. Reiss) [On title-page: ‘Messe in D’.]

Musikwissenschaftlicher Verlag, ed. Nowak, 1957 (ABSW XVI).

‘Revised’ version

Philharmonia (264), pl. nr. W.Ph.V. 264, ed. Josef V. von Wöss, 1924

[On title-page: ‘Mass in D’.]

Mass in E minor Composed 1866, revised 1876-85.

1866 original version

Musikwissenschaftlicher Verlag, ed. Nowak, 1977 (ABSW XVII/1).

1876-85 version

Brucknerverlag, ed. Haas and Nowak, 1940; re-issued 1949 (GA XIII)

Musikwissenschaftlicher Verlag, ed. Nowak, second revised edition, 1959

[On title-page: ‘Fassung von 1882’] (ABSW XVII/2).

Eulenburg (1606), ed. Nowak.

‘Revised version’

Doblinger, pl. nr. D.2087 [1896].

Philharmonia (204), pl. nr. U.E. 7534; W.Ph.V. 204, revised Wöss, 1924.

Mass in F minor Composed 1867-8, revised 1876/77, 1881, 1890-94.

First published version (1894)

Doblinger, pl. nr. D.1866.

1881 revision

Brucknerverlag, ed. Haas, 1944 (GA XIV) [On title-page ‘Originalfassung’].

Breitkopf (3624), ed. Haas, 1944.

Eulenburg (961), pl. nr. E.E. 6527, ed. Hans F. Redlich, 1967.

1881 revision, revised

Musikwissenschaftlicher Verlag, ed. Nowak, second revised edition, 1960 (ABSW XVIII).

‘Revised’ version, based on first published version of 1894

Eulenburg (11), pl. nr. U.E. 7049, rev. Wöss.

Eulenburg (961), ed. Wöss.

Eulenburg (961), pl. nr. E.E. 4436, ed. Wöss. Foreword by Adolf Aber.

Universal (7049), pl. nr. U.E. 7049, ed. Wöss.

Musikalischer Versuch nach dem Kammer-Styl WAB 93

First version: for soloists, four- and eight-part mixed voice choir, and piano.

Composed St. Florian, 1845.

ABSW XXII/1-5, 1987, pp. 3-15. Full score and study score formats.

Second version: for same forces as above. Composed St. Florian, 1845.

ABSW XXII/1-5, 1987, pp. 19-32. Full score and study score formats.

Third version, Vergißmeinnicht: for same forces as above. Composed St.

Florian, 1845.

G-A 1, 1922, pp. 283-300 (facsimile of autograph).

ABSW XXII/1-5, 1987, pp. 35-48. Full score and study score formats.

Requiem in D minor Composed 1848-9, revised 1892.

Original version (1848-9)

Filser Verlag, ed. Haas, 1930 (GA XV)

Musikwissenschaftlicher Verlag, ed. Haas, 1932 (G/A XV/1)

Musikwissenschaftlicher Verlag, ed. Nowak, 1966 (ABSW XIV)

Musikwissenschaftlicher Verlag, ed. Nowak & Bornhöft, 1998 [‘new edition’] (ABSW XIV)

Te Deum Composed 1881, revised 1883-4.

1883-4 revision

Musikwissenschaftlicher Verlag, ed. Nowak, 1962. [On title-page: ‘Fassung von 1884’]. (ABSW XIX).

‘Revised’ version

Rättig, pl. nr. T,.R. 40b, 1885.

Rättig, pl. nr. T.R. 40b, revised T. Alan, 1904.

Universal (2989), pl. nr. T.R. 40b, revised T. Alan.

Eulenburg (10), pl. nr. E.E.4728, ed. Steinitzer, 1920.

Eulenburg (960), pl. nr. E.E.4278, ed. Aber, c.1930.

Eulenburg (960), pl. nr. E.E.4278, ed. Redlich, 1960.

Peters Edition (3488), pl. nr. S.9600.

Broude (USA).

Bruckner scores: Magnificat and Psalm settings

Magnificat WAB 24: for soloists, four-part mixed voice choir, orchestra and organ. Composed St.

Florian, August 1852.

G-A II/2,1928, pp. 99-110 (short score)

ABSW XX/3, Vienna, 1996. Full score and study score, ed. Paul Hawkshaw

ABSW zu XX/3, Vienna, 1996. Piano score, arr. Karlhans Urbanek.

Psalm 22 WAB 34: for four-part mixed voice choir and piano. Composed St. Florian, c.1852.

G-A II/2, 1928, pp. 119-30 (facsimile of autograph score).

ABSW XX/2, 1997. Full score and study score, ed. Paul Hawkshaw.

Psalm 114 WAB 36: for five-part mixed voice choir and three trombones. Composed St. Florian,

Spring or early Summer 1852.

G/A II/2, 1928, pp. 151-77 (facsimile of autograph score).

ABSW XX/1, 1997. Full score and study score, ed. Paul Hawkshaw.

ABSW zu XX/1, 1997. Piano score, arr. Paul Hawkshaw.

Psalm 146 WAB 37: for soloists, four-part mixed double choir and orchestra. Composed St.

Florian or Linz, 1856-58 (?)

ABSW XX/4, 1996. Full score and study score, ed. Paul Hawkshaw.

ABSW zu XX/4 ,1996. Piano score, arr. Karlhans Urbanek.

Psalm 112 WAB 35: for eight-part mixed double choir and orchestra. Composed Linz, June - 5

July 1863.

Universal Edition (U.E. 6685), Vienna, 1926. Edited Josef V. Wöss.

ABSW XX/5, 1996. Full score and study score, ed. Paul Hawkshaw.

ABSW zu XX/5, 1996. Piano score, arr. Josef V. Wöss (U.E. 6688, 1926).

Psalm 150 Composed 1892.

Original version (1892)

Musikwissenschaftlicher Verlag, edited Franz Grasberger, 1964 (ABSW XX/6).

‘Revised’ version

Doblinger, pl. nr. D.1804, 1892.

Philharmonia (205), pl. nr. W.Ph.V. 205; U.E. 7535, newly revised Wöss.

Universal (7535), pl .nr. U.E. 7535; W.Ph.V. 205. [J. Wöss].

Eulenburg (972), pl. nr. E.E. 4599, ed. Redlich, 1960.

Small portrait bust of Bruckner available here.