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UK Concert Listings

 

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UK Concerts  16 Nov 2013

 

14 March 7.30pm, London Royal Festival Hall  0844 875 0073

Mendelssohn - Violin Concerto No.2 (Benjamin Beilman)

Bruckner - Symphony No. 3 (1889)

London Philharmonic Orchestra / Stanis³aw Skrowaczewski

 

16 March 7.30pm, Ilkley, King’s Hall  01943 602319

Wagner - Siegfried Idyll           Zipoli - Elevazione

Mozart - Violin Concerto No.3 (Jacqueline Cima)

Bruckner - Symphony No. 1

Airedale Symphony Orchestra / John Anderson

 

20 March 6pm, London, RAM Dukes Hall

Beethoven (arr. Liebeck) - Coriolan Overture (arr. organ)

Mahler (arr. Binns) - Symphony No. 4 (1st movement, arr. organ)

Bruckner (arr. Vaduva) - Symphony No. 9 (1st mvnt, arr. keyboard)

Sibelius (arr. Holder) - Intermezzo from Karelia Suite (arr. organ)

Alexander Binns, Peter Holder, Jonathan Liebeck (organists)

Alexandra Vaduva (keyboard).

 

2 April 7.30pm, Poole, Lighthouse +44 (0)844 406 8666

3 April 7.40pm, Portsmouth, Guildhall +44 (0)844 847 2362

Mozart - Piano Concerto No. 27 (Francesco Piemontesi)

Bruckner - Symphony No. 9

Bournemouth Symphony Orchestra / Kirill Karabits

 

3 April 7.30 pm London Barbican Centre 0845 121 6823

Mozart - Violin Concerto No. 3 (F. P. Zimmermann)

Bruckner - Symphony No. 4

Royal Concertgebouw Orchestra / Mariss Jansons

 

4 April 7.30pm London Barbican Centre 0845 121 6823

Haydn - Cello Concerto (Truls Mørk)

Bruckner - Symphony No. 7

Royal Concertgebouw Orchestra / Mariss Jansons

 

5 April 6.30pm London Barbican Centre 0845 121 6823

Beethoven - Piano Concerto No. 1 (Lars Vogt)

Bruckner - Symphony No. 9

Royal Concertgebouw Orchestra / Mariss Jansons

 

9 April 7.30pm, London Royal Festival Hall  0844 875 0073

Schumann - Violin Concerto (Renaud Capuçon)

Bruckner - Symphony No. 8 (Haas)

London Philharmonic Orchestra / Jukka-Pekka Saraste

 

25 April 7.30pm, Cardiff, St David’s Hall +44 (0)29 2087 8444

Messiaen - l’Ascension

Bruckner - Symphony No. 8

Welsh National Opera Orchestra / Lothar Koenigs

 

1 May 7.30pm Malvern Theatres, Forum Theatre +44 (0)1684 892 277

Bruckner - String Quintet            Schubert - String Quintet

Aronowitz Ensemble

 

6 June 7.45pm, Basingstoke, The Anvil +44 (0)1256 844244

Strauss - Four Last Songs (Eva-Maria Westbroek)

Bruckner - Symphony No. 9

Philharmonia Orchestra / Christoph von Dohnanyi

 

14 June 8pm, Oxford, Sheldonian, +44 (0)1865 980980

Mozart - Piano Concerto No. 27 (Marios Papadopoulos)

Bruckner - Symphony No. 7

Oxford Philomusica / Marios Papadopoulos

 

19 June 7.30pm, London Barbican Centre 0845 121 6823

Mozart - Piano Concerto No. 23 (Lise de la Salle)

Bruckner - Symphony No. 8

London Symphony Orchestra / Fabio Luisi

 

3 July 7.30 pm, London, St Paul’s Cathedral

Penderecki - Threnody for the Victims of Hiroshima

Bruckner - Symphony No. 9

London Symphony Orchestra / Daniel Harding

 

Plus some future dates for your diary:

23 October, 7.30 pm, London, Barbican Hall 0845 121 6823

Bruckner - Symphony No. 8

London Symphony Orchestra / Bernard Haitink

 

8 February 2015, 7.30 pm, London, Royal Festival Hall

Mozart - Piano Concerto K503 (Paul Lewis)

Bruckner - Symphony No. 3

Philharmonia Orchestra / Andris Nelsons

WHAT’S ON

IN THE UK?






wpac870445.png The New Bruckner  

Compositional Development and the Dynamics of Revision

Dermot Gault

 

January 2011

234 x 156 mm, 278 pages Hardback, Includes c.39 musical examples and 3 tables

978-1-4094-0091-2   £60.00  (£54 - On-line price at  http://www.ashgate.com/isbn/9781409400912

 

The New Bruckner

 

The New Bruckner provides a valuable study of Bruckner's music, focusing on the interaction of biography, textual scholarship, reception history and analysis. Dr Dermot Gault conveys a broad chronological narrative of Bruckner's compositional development, interpolating analytical commentaries on the works and critical accounts of the notoriously complex and editorial issues. Gault corrects longstanding misconceptions about the composer's revision process, and its relationship with the early editions and widely held critical opinions. Bruckner's constantly evolving engagement with symphonic form is traced by taking each revision in due order, rather than by taking each symphony on its own, and by relating the symphonies to other mature works such as the Te Deum, the three great Masses, and the Quintet, and Gault argues that Bruckner's music became more organic and less schematic as the result of his revisions. The book will be essential reading for all interested in Bruckner's compositions, the complex history of their reception, and late Romantic music in general.

Contents: Preface     -    Introduction; tradition and innovation   -    Masses and early symphonies

The emergence of the 'Bruckner symphony'     -    Consolidation and revision   -    4 masterpieces

Bruckner and his disciples   -    The 8th symphony   -   The final decade   -   Anomalies of history

Appendix Select bibliography -   Index

 

Dermot Gault was born in Belfast and studied music at Queen's University Belfast, where he obtained a doctorate for a thesis on Bruckner's symphonies in 1994. He has contributed to The Bruckner Journal since its inception and addressed Bruckner Conferences in Nottingham and Oxford. He has also contributed to Music Ireland and The Irish Times.