
UK Concert Listings
See also:
UK Concerts February -
17, 21 Feb 7.30pm London Barbican Hall +44 (0)207638 8891
Mozart -
London Symphony Orchestra / Bernard Haitink
23 Feb 8pm Oxford, Sheldonian Theatre +44 (0)1865 980980
Mozart -
Oxford Philomusica / Marios Papadopoulos
24 Feb 3pm, Birmingham, Adrian Boult Hall www.bpo.org.uk
Beethoven -
Bruckner -
Birmingham Philharmonic Orchestra / Michael Seal
1 Mar. 7.45, Belfast, Ulster Hall 0044 (0)28 9033 4455
Wagner -
Bruckner -
Ulster Orchestra / Jac van Steen
2 Mar. 8 pm University Church of St Mary the Virgin
Wagner -
Hertford Bruckner Orchestra / Paul Coones
14 Mar. 7.30 pm, Glasgow City Halls +44 (0)141 353 8000
15 Mar. 7.30 pm, Aberdeen, Music Hall, +44 (0)1224 641122
Chopin -
BBC Scottish Symphony Orchestra / Thomas Dausgaard
15 Mar. 1.05 pm, London, Royal Academy of Music
Bruckner (arr. Payne) -
Royal Academy of Music Chamber Orchestra
16 Mar. 7.30 pm, Petersfield, Festival Hall +44 (0)1730 261199
Britten -
Beethoven -
Wagner -
Basingstoke Symphony Orchestra / Paul Spicer & Stephen Scotchmer
16 Mar. 7.30 pm, Beckenham, Langley Pk Boys School +44 (0)20 3627 2974
Bruckner -
Bromley Symphony Orchestra / Adrian Brown
22 Mar. 7.45 pm, Belfast, Ulster Hall 0044 (0)28 9033 4455
Bruckner -
Ulster Orchestra / David Stern
23 March, 7.30pm., Ealing, St. Barnabas Church
Bruckner -
West London Sinfonia / Philip Hesketh
26 Mar. 7.30 pm, Birmingham, Symphony Hall 0121 780 3333
Beethoven -
Gustav Mahler Jugendorchester / Herbert Blomstedt
11 Apr. 7.30 pm, London Royal Festival Hall 0871 663 2500
Beerthoven -
Philharmonia Orchestra / Kurt Masur
11 May 7.30 pm, Liverpool Philharmonic Hall +44 (0)151 709 3789
Schumann -
Royal Liverpool Philharmonic / Thomas Dausgaard
WHAT’S ON
IN THE UK?
Compositional Development and the Dynamics of Revision
Dermot Gault
January 2011
234 x 156 mm, 278 pages Hardback, Includes c.39 musical examples and 3 tables
978-
The New Bruckner provides a valuable study of Bruckner's music, focusing on the interaction of biography, textual scholarship, reception history and analysis. Dr Dermot Gault conveys a broad chronological narrative of Bruckner's compositional development, interpolating analytical commentaries on the works and critical accounts of the notoriously complex and editorial issues. Gault corrects longstanding misconceptions about the composer's revision process, and its relationship with the early editions and widely held critical opinions. Bruckner's constantly evolving engagement with symphonic form is traced by taking each revision in due order, rather than by taking each symphony on its own, and by relating the symphonies to other mature works such as the Te Deum, the three great Masses, and the Quintet, and Gault argues that Bruckner's music became more organic and less schematic as the result of his revisions. The book will be essential reading for all interested in Bruckner's compositions, the complex history of their reception, and late Romantic music in general.
Contents: Preface -
The emergence of the 'Bruckner symphony' -
Bruckner and his disciples -
Appendix Select bibliography -
Dermot Gault was born in Belfast and studied music at Queen's University Belfast, where he obtained a doctorate for a thesis on Bruckner's symphonies in 1994. He has contributed to The Bruckner Journal since its inception and addressed Bruckner Conferences in Nottingham and Oxford. He has also contributed to Music Ireland and The Irish Times.